There is an art exhibition currently showing until this coming Saturday at the Gazelli Art House in London by a self-taught artist, Niyaz Najafov. This is his 2nd exhibition with the Gazelli Art House, and his paintings are in a similar vein to the artist Francis Bacon, who was also self taught. Drawn towards nature and human/e situations, Niyaz has certainly produced thought provoking work – in Paris, where he now lives and works, he started actively painting flowers on found paper and cardboard in 2016/2017 and stuck them on various street corners. He did it so that people walking past could absorb the work, remove from the walls and continue with their journey. To date over 1000 flowers have been painted and distributed. I was lucky enough to interview Niyaz and ask him some questions about his life and work… Hello Niyaz …
Hello. I’m Niyaz Najafov, born 1968 in Baku, Azerbaijan. I went to school then I joined the Soviet army and worked in police departments. I experienced a darker path with drugs and imprisonment. I was drawing all this time but mainly as a hobby – I came out of prison in 1998 and in spring 2003 I first started experimenting with canvas, which I still do today.
What inspired you to do the “Absorb, Adhere, Advance” exhibition in London?
I didn’t know this would happen so no particular inspiration but the title, I presume, was picked due to the style and the subject matter in the paintings and the selection that was made. Although this inspiration was on an unconscious level to me, I guess I still influenced the title.
Your flowers have adorned walls all over Paris. How many flowers were made? What was the reaction of the general public?
The “flowers” exist there alongside the surfaces of the streets/walls.This hasn’t been done all over Paris (yet) – I assume if I will be continuing to do this for another 3 years, it will end up ‘decorating’ the whole of Paris! Probably around 1700 flowers have been put out there so far. Social reaction varies – from tearing it down to having a positive engagement with them. A girl once walked passed flowers that were no longer there (they were torn down) and said that it was a shame they were no longer there (she said this to a shop assistant of a shop that was next door to one of the walls the works were on)…there are various responses – another one was when accidentally I was sticking another work on a wall of a police building and the police asked what I was doing, when I explained to them and immediately asked “…shall I take this down, it is probably illegal…”, they urged me to carry on!
You describe the selection of your colours as “social art” rather than “Street art”. What are the differences?
There is no difference between the two. I deeply dislike intentional work – if I know I am doing something for a specific reason, it automatically loses any purpose or value to me. I work whether for the purpose of a selling exhibition , or to stick it on the walls of the streets, because I have to , because I want to.
You were raised in Baku, Azerbaijan and trained as a soldier, as well as being a professional sportsman coaching hand-to-hand combat. Did you enjoy that career?
Azerbaijan is a very peaceful international place – even during the Soviet times, we were never paying attention to where people that lived there were from. I was born during the soviet times and yes, the army training set me up to protect rather than attack. I never had a profession out of the martial arts – karate, kyokoshin kai- I never made money out of it or intentionally. Life so happened that I trained.
What made you change your profession and become an artist?
I lost faith in me as someone who can combat – I couldn’t make a living out of it, despite having won 7 medals in competitions. I came back to Baku from Ukraine (where these competitions were held). The drugs interfered with the whole process , with that part of my life. You do not become an artist, you’re probably born one and then become that during your time here on Earth.
If you could visit anywhere in the world to get inspired for the colours , where would you go?
Nowhere – anywhere in the world and any place in that location – be it a toilet cabin, or an airplane – Louvre or Hermitage – a woman, a fight, policemen, museums … anything around can be inspiring.
What subject matter is the most difficult for you to create?
The subject of money! This would be most difficult for me to create or recreate… this might be my next body of work – money from countries that do not exist. It is something I thought of on my way back to Paris from London this time round. I am already going towards that direction with a body of work produced as the ‘attack of the frame’ …
Niyaz’s artworks have been exhibited throughout Europe – London, Paris, Berlin, Moscow and Geneva. He is currently exhibiting his work in London until Saturday 3rd June 2017 at the Gazelli Art House, 39 Dover Street, London. W1S 4NN.
Thank you for time chatting to me Niyaz and I am looking forward to seeing your next body of work.
All photographs are copyright of the artist (Niyaz Najafor); courtesy of Gazelli Art House.
© 2017 – 2018, Linda. All rights reserved.