Every now and then you come across a novel intended for the YA market but actually the storyline is so riveting and the writing is so eloquent that it appeals to older adults too. “How To Hear Ghosts” by David Griffiths is one such book. I was hooked from page one! The storyline delves into such topics such as whether there is an afterlife, the reality of mental illness and the lure of psychic shows. The characters are totally believable, and the subtle twists and turns in the storyline certainly kept me entertained. How could I not interview the author, David Griffiths?! 😀 Before I introduce David to the blog, here’s a quick summary of his fabulous book:
BOOK SUMMARY
In the wake of his mother’s death, 16-year-old Ollie is thrust into the world of his uncle, Dominic Quinn, a renowned stage medium. Communing with the dead runs in Ollie’s family – or so he believes. But as he starts to hear voices in his head, he must confront the possibility that they are no more than a spiral into hereditary madness.
Haunted by the mysterious letter that plagued his mum’s final days, Ollie embarks on a quest for answers. With the help of one of his uncle’s mysterious books and the support of his classmate, Hannah, Ollie delves into the secrets surrounding his mother’s past.
But as he navigates the blurred line between reality and the paranormal, he must face a daunting question: will it make him famous like his uncle, or dead like his mother? In this gripping young adult novel, Ollie discovers that sometimes, the most terrifying ghosts are the ones we carry inside.
THE INTERVIEW
Hello. I’m David. I’m an ex-English teacher based in Liverpool who’s had a life-long obsession with all things Gothic – that’s something often frowned upon by other English teachers. I recently started teaching at Manchester Met University where things are more liberal, and since then I’ve gone from writing about ghosts to actually becoming one – I’m currently working as a professional ghostwriter, which is a fascinating experience … except I’m not allowed to tell anyone what I’m writing about!
Who or what inspired you to write “How To Hear Ghosts”?
My inspiration for writing about the uncanny dates back to childhood. My parents, bless them, had the idea that we’d save money if we booked a holiday abroad out of season. This turned out to be true. Unfortunately, when we arrived at the hotel the place was completely and utterly deserted. (N.B. Never underestimate the importance of other human beings when it comes to enjoying your overseas holidays.) I was bored and increasingly spooked by the enormity and silence of the empty hotel. I turned to literature for solace. Unfortunately, the only book I’d brought with me was Stephen King’s “The Shining”. Let’s say it intensified the experience. I still find myself glancing over my shoulder whenever I’m walking a hotel corridor and happen to pass by room 217.
How To Hear Ghosts ” is a YA story that delves into the reality of mental illness, theory of afterlife and the role of mediums. The characters are a fabulous mix – from the main character Ollie, his Uncle Dominic – a phoney medium, Ollie’s school friend Hannah , to Marsha – Dominic’s hard nosed agent. Did you base a lot of your characters on you and people you’ve met in life? Which character did you enjoy writing about the most? Which character was the hardest?
It’s hard to write a novel in first person and not include some element of your personality in your main character. At first, Ollie was a wittier, more entertaining (and more troubled) version of my teenage self. But it’s important to give your protagonists their own distinct identity, which emerged eventually, as all strong characters do. As for basing characters on real people, Dominic Quinn is certainly a product of the strange climate we’ve all lived through during the last six or seven years, which have seen a bewildering rise in the number of populist politicians and chancers who have emerged to charm and seduce voters with comforting notions that a “black and white”, simple solution can solve their complex problems. Dominic is a similar type of snake-oil salesman.
It’s a huge cliche to say that the characters in a novel “talk” to the author and start writing the story themselves. It sounds phoney and pretentious but it’s true. Marsha virtually barged into the room and took charge of my pen, telling me I’d better buck up and organise things more efficiently. She’s awful and ultimately sinister, perhaps, but I absolutely adored her. She made things so easy because she’s so assertive.
With “How to Hear Ghosts” I tried to subvert the Young Adult Gothic tradition which, since Twilight, focusses on female protagonists. I wanted a young male hero but I wanted the book to appeal to male and female readers. I also wanted to avoid the usual cliches of helpless female and strong, silent, brooding male (who’s usually a vampire). I probably over-thought it initially. But that ended when Hannah came into the story. She’s stronger than Ollie and certainly no one’s idea of a side-kick or plot device. When she appeared it was natural and right.
What do you enjoy most about writing novels for young adults?
Writing for young adults is something I’m drawn to because those teenage years are so dramatic. Everything you experience is so intense: if you fall in love, it’s HUGE. If you feel hurt or angry at someone, it’s an even bigger deal than when it happens later in life. All our feelings and experiences are so amplified, whether it’s by hormones or the newness of the situation. It’s not always pleasant, of course, and I’m particularly keen to avoid romanticising it. It’s the period where you find yourself wising up to life, hopefully.
If you could visit any country/place in the world, to base a future novel in, where would you go and why?
It may seem boring or obvious, and I’ve already visited the United States. But I’m wondering whether the USA I visited and loved eight years ago will be the same USA I’d be visiting a year from now. The Ancient Chinese had a curious saying: “May you live in interesting times.” It was intended as a curse of sorts. America is going to be an awfully interesting place soon, (and always is, however often you’re used to seeing it on TV,) and who knows how current events might influence any story you might choose to set there?
Are you a bookworm? What is your favourite genre and/or authors? Kindle or actual book?
I’m proud to be a bookworm. Most of the great ideas I’ve encountered in life have come from being a bookworm, whether it’s fact or fiction – which is honestly a bit of a false distinction. My all-time literary idol is Emily Bronte. (Still find it spooky how she shares her birthday with Kate Bush, by the way.) I also have to buy everything David Nicholls writes the day it comes out. Can’t recommend him highly enough. I used to regard Kindle as Satan’s plaything but started reading them recently. It’s OK. Just gimme an actual book please.
Is “How To Hear Ghosts” available to purchase worldwide?
Yes! Proud to announce it’s available everywhere.
Growing up had you always wanted to be an author or did you have other career aspirations?
As a teenager, my literary ambitions were placed on hold for a few years while I mastered the guitar and played in local rock and indie bands. With the passing of time, it can be seen that Kurt Cobain’s status and reputation were never seriously threatened.
I must admit I have never been to see a medium or attend a show but I do appreciate that many people do feel comforted by getting a chance to have some sort of contact with their loved ones; and I am respectful of the role such mediums do play in certain circumstances. When researching for your book, did you discover anything unexpected?
My research included visiting mediums for private readings and seances, as well as watching them perform on stage. I’m loathe to call myself a “believer” because there are so many obvious charlatans out there. I wouldn’t want to recommend them to anyone. But the second person I went to see was really quite unsettling. I still have a sound recording of the encounter I had with him, and it’s extraordinary to listen to it now and hear how accurate he was. In fact, it’s even more bizarre listening to it now because you can hear him basically predict things that did come to happen subsequently, which no one at the time could have foreseen, and which I didn’t take a great deal of notice of until later. I’d prefer not to go too deeply into it: suffice to say, I’d forgotten about some of the details on the recording and didn’t listen to it again until two years afterwards. But I think it ended up influencing the book’s rather ambiguous approach towards the paranormal.
Personal now – what outfits and shoes would you normally be found wearing?
It’s hard finding anything that will make you look cool once you’ve lost your hair (though some have managed it). Personally, I’m resigned to being unadventurous – shirt, black trousers, black shoes etc, unless I’m at home, them I’m all trainers and (urk) jeans.
Do you have any favourite shops or online sites ?
For clothes, it’s Next and M&S (- no real innovations to report).
What’s next on your clothes/shoe wish list?
We’re off for a week in the sun in two days, so a mad scramble for a decent pair of flip-flops is very much in order.
Boots or Shoes?
A new pair of shoes always instills confidence. Not sure why. I’m sure Freud would have something to say about that. The only time boots give me confidence is if I’m hiking in the Lakes.
Links you would like to share e.g. website/facebook etc
Great to chat to you David! Thank you so much for a review copy of “How To Hear Ghosts” – I really rate it!
Linda x
All photographs have been published with the kind permission of David Griffiths .
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